Saturday, September 27, 2014

Coming Soon 23rd October Kensington Place

The Mad & Marvellous World
                  of Medieval Manuscripts

A Bishop Bonks an Evil Spirit on the Nose with the Keys of Heaven


Some of the answers and many more strange and wonderful images & stories
drawn from the creme de la creme of illuminated manuscripts
ca 700 - 1500 

Friday, May 9, 2014

Who knew manuscripts could be such fun?

ca 1350 - bas de page illumination
size approx 2 x 3 in

What makes this scene of a couple riding out together
that the horses are clearly in love too!

Saturday, April 26, 2014

Another view of Pangur Ban

Frustrating to discover my imaginary scene is flawed:
the books, or codices, would have been stored flat, on sloping shelves;
the scribe would have worked at a desk with a tilted surface;
and the desk would not have been a 'table' -
but then
where would Pangur have sat? 

The view through the window is somewhat that of
the grounds of the monastery where the scribe wrote the poem,
suggesting that the monastery is built on an island, as it is in fact:
Reichenau Island in Lake Constance.
The church or structure with steepled tower
is similar to current buildings on the site dating from the 14-15th century.

The poem to Pangur Ban was written ca 950.
I plan a short slideshow reading using this
and other images to 'illuminate' the words.

Friday, April 18, 2014

Coming Soon - Manuscript Critters

I tried my hand at 'illuminating' the exquisite poem Pangur Ban (means 'white cat') written by an Irish monk in honor of the library cat circa 950 AD - my work below.   Original poem written in Old Irish, this my preferred translation...the last verse nails it.

Tuesday, February 25, 2014

A Senior Moment

Definitely a senior moment!

A recent silly creation that celebrates
the hazards of wolves,
everlasting love
other woolly musings:

Friday, February 14, 2014

Celebrating Eleven! The Art and the Presentation.

Eleven titles

It's just over a year since my first and I'm very proud of "LizPresents" as it is today.   Every showing has been an affirmation of what I do and how I do it.

Some background:  Although I promote my presentations as "light" they are in fact targeted to an audience that is alert, curious, knowledgeable and totally aware.   In essence they educate and inform..and because I enjoy the subjects, they also happen to be fun.  It's the way I like to present.  

Any audience would appreciate them, it is incidental that I present them to seniors' residences.   However, what does make them appropriate for this arena is that they are so fully supported visually, making the story or the information easy to absorb...and my voice is clear and good listening - so those who cannot focus fully still draw great pleasure from what they see and hear. 

The material is solid, all of it researched in just happens that I seek out facts that are both  intriguing and amusing.  And present them the way I do.

It's a format that has proven successful at every presentation over the past 18 months.  I watch the audience and can see how intent and rapt they are whilst I'm presenting**.  And afterwards the comments I receive always overwhelm:   "wonderful", "riveting" and "amazing" are the words used.

The strong visual format helps:  in an hour-long show, slides average 2/minute.  Items highlighted within a slide use a separate slide for the highlight, which is far far more effective than pointers or lasers.  Plus I'll push the envelope a bit, bend the rules to bring the art alive - not regard it on bended knee - and ask the audience to follow me in wondering WHY (if it's a painting) the artist chose to paint what he did, and lead them to a sub-story, the facts behind the facts - because those stories are always the best...and the most fascinating.

And always the subject and the piece of art are put in context:  for whatever is being presented its strength, power and meaning comes from relating it to the events at the time the artwork was created, what it meant to people of that era, its significance to them, and why that particular artist chose to portray it as he did.  Always, always a story to make the art come alive.

The greyhound was a recent subject.   The segment lasted about 10 minutes.  It reviews the greyhound's origins - from cave art to the side of a greyhound bus - presenting the mystique, value, symbolism and importance of the greyhound to man, the association with nobility and purity and why greyhounds appear in art so often, notably in religious works.  About REAL greyhounds also, two from the past who were owned by significant people, the story of their relationship, and why these greyhounds were so beloved.

My style is my own.   Each presentation is a work of art in itself.  I love what I do, what I am presenting...and I seem able to pass on my enthusiasm and passion to the audience.  It's a win win situation.  They enjoy a fascinating hour, some of it emotional, and I - I go home happy and begin planning my next.

**inevitably there are one or two who fall asleep!

*New topics and content are constantly being researched and new presentations developed.   
Topics in-the-works include spring (the season), mother's day and - perhaps - father's day.  For each of these, there are a million stories to be told.
*If you wish to have a particular theme developed, please contact me at least 2 months in advance.

"Love is...." Feb 2014

NOTE   Appropriate for any time of year.   

At West One, Feb 12th
A magazine of video, poetry and stories...and a little bit of theatre too!  The whole, not overtly sentimental but a journey through the joy of love as we - people - share and experience it.  

Some of the items and poetry readings were in the form of videos, two were written and produced by self.  The final item, a single poem not to a person, to Jenny...a poem only suggesting what she is, never mentioning her form or name - it drew a soft murmur of contented 'ahs'!  

Poem Video Link

From there it faded to a close and Nat King Cole singing "When I fall in love". 

Thanks at end overwhelming "it was wonderful" from all, spoken with great sincerity.  

Perhaps the most significant comment came from one gentleman who, as he left, stopped, looked at me, and softly quoted the words from the last screen...